Trade/Trace/Transit (Tintin Wulia 2014-) is a mobile ethnography of cardboard waste and simultaneously a series of public interventions into the trade route of cardboard waste in Hong Kong.
This project is initially supported by the Australia Council for the Arts’ New Work – Mid Career grant (2014-6).
b a c k g r o u n d
Cardboard boxes live long after they are disposed. In many places around the world including Hong Kong, they travel from hand to hand during this long life, changing shape and intersecting varied lives. Along routes in Hong Kong, they are sold by waste collectors via the recycling collection points to the port. Their lifetime reaches its end at paper mills in China.
Around Central, Hong Kong, this cardboard route is extraordinary. Filipino domestic workers gather in Central for their day off, and re-use the cardboard waste to build temporary ‘houses’. In this decades-old tradition, I discovered how a complex informal economy is born. The monetary value of the cardboard waste is multiplied through covert, hand-to-hand transactions, where intricate trade and trade-offs between cardboard waste collectors, suppliers, distributors, consumers, the hawkers police and passersby take place.
Throughout this trade and trade-offs, the cyclical re-collecting and re-selling amplifies the social meaning of the “waste”. The waste becomes inhabited by the lived experiences of the agents of its journey, who contribute their various circumstances. Artefacts of these lived experiences are then amassed and compressed at the recycling collection points. Every day of the week, they are trucked along the Hong Kong island’s northern coastal area to the transit port, to be shipped to China.
Wall Drawings
Wall Drawings (2015-2016) is a series of ‘murals’ on the temporary ‘houses’ built by the Filipino domestic workers groups around Central, Hong Kong. This series began as simple decorative drawings that I drew while spending …
Corpus
Corpus (2015-2016) is a series of interventions into the recycling collection points around Central. These recycling collection points are like the river mouths of the waste cardboard route. They buy not only cardboard waste, but …
Five Tonnes of Homes and Other Understories
Five Tonnes of Homes and Other Understories (2016), fresh from the streets of Central, is in turn a re-intervention to the art world. Like thick books with drawn covers, the massive bales of cardboard waste …
Proposal for a Film: Within the Leaves, a Sight of the Forest
“Waste paper is like a forest. Paper recycles itself, generation after generation,” a man once told Zhang Yin, possibly the richest self-made woman in the world according to Forbes magazine in 2006, who earns her …
Delta
Conceptually and geographically, Art Basel Hong Kong is a logical place for re-intervention of this project into the art world. As the most prominent art fair in the region, it is a highly visible event. The fair is equipped …
Within the Leaves, a Sight of the Forest (working title)
Within the Leaves, a Sight of the Forest (working title) is in process. It is a further development of Proposal for a Film: Within the Leaves, a Sight of the Forest (2016). Diverting the installation from …
Credits • Trade/Trace/Transit (2014-2016) is supported by Australia Council for the Arts’ New Work – Mid Career grant • Tintin Wulia is a recipient of the Australia Council for the Arts’ Creative Australia Fellowship 2014-2016 • Presentation of Five Tonnes of Homes and Other Understories (2016) at Encounters section (curated by Alexie Glass-Kantor) and Proposal for a Film: Within the Leaves, a Sight of the Forest at Film sector (curated by Li Zhenhua) of Art Basel Hong Kong 2016 is co-supported by Osage Gallery • • Project Assistant and Translator: Wong Lik Wai 黃力瑋 • • Many thanks to: Precy Cabinian Rosil • Leticia Dafun • Racquel Agdeppa • Remy Ragosanpe • Michelle Cebrero • Mila Mercado • Vilma Berenio • Lourdes Mollanida • Editha Aquino • Chona Rizaldo • Florita Aquino • Riza Arnesto • Reizel Arnesto • Joyce Rubis • Dinah Teruel • Vangie Domingo • Ludilyn Viernes Navalta • Venia Anonuevo Ranchez • Uncle Reymel • Wong Siu Hung • Brian Tsoi • Chris Tsoi • Kurt • Bobby • Keung • • Jay Due • Rommel Banania • Kanny Kan • Leo Leung • Grace Lam • Chloe Chu • Pysche Ma • Lysander Leung • Resy Poncia • Sunny Huang • Zinnia Lin • Agnes Lin • • The Edge Brisbane • Hammad Nasar/Asia Art Archive • Andrew Stahl/Slade School of Fine Art • • Sonja Ng • Arianna Gellini • Janice Leung • Kingsley Ng • Sybil Kot • Royce Ng • Daisy Bisenieks • Qinyi Lim • • Zoe Butt • Isabel Ching • Patrick Flores • Alexie Glass-Kantor • Li Zhenhua • • Cara Satmoko-Ball • Zeno Wulia • Cecilia Indradjaja • Erich Round