The Window of Contemporary Art (WOCA) a proposal for DICA (Donkey Institute of Contemporary Art) by Tintin Wulia King Midas could turn anything into gold. Rumor had it that he had donkey’s ears. After thinking for donkey’s years, I’ve finally…
Nous ne notons pas les fleurs is a multi-form work exploring the ideas of mobility and the impermanence of political borders in contrast to the tendency to freeze them. The title of this work, Nous ne notons pas les fleurs, is taken from a dialogue in Le Petit Prince (Saint-Exupéry, 1943), where a geographer tells the Little Prince that geographers do not record flowers because, unlike the earth, flowers are ephemeral. The work originally […]
Do it yourself: how to make a new world map (2009) is part of the mural, interactive performance and installation work Terra Incognita, et cetera (2009). Terra Incognita, et cetera (2009) is an art exhibition opening party game where audience…
Osage Singapore has an interesting space. Really high ceiling, and some cracks on the floor. I traced those cracks with my small passports. The trail goes all over the place. On the walls and the ceilings, the trail is arbitrary….
Hey diddle diddle, The cat and the fiddle, The cow … … jumped over the moon; The little dog laughed … … to see such fun, And the dish ran away … … with the spoon. And so, I moved…
This is a duh sketch I started yesterday. Dum dum. Dum durlydum too.
I must say that it seems to be working. I wore my Binna Choi t-shirt when I went on a train to Bairnsdale last Friday. I went in the gate, showing my ticket to the gate attendant, then realised I…
I wore my Binna Choi t-shirt yesterday. It was the first time I wore one of My own Che t-shirts for the whole day. It felt quite special. I felt quite special. Did I feel I was Binna Choi? No….
Hey diddle diddle, The cat and the fiddle, The cow … … jumped over the moon; The little dog laughed … … to see such fun, And the dish ran away … … with the spoon. The colourful drawing shown…
Invasion is a kinetic sculpture that is a contemplation of geopolitical border. As you enter the exhibition space, the first thing you see are the pots with red sands in it on the floor. Out of the pots come red…